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The Pity Party wants my blog love

July 1, 2008 on 4:30 pm by Thomas | In Music, unsigned myspace hype | 1 Comment

And here, they have it. I received such a charming mail PLUS, I really did like the music of this Californian duo. Check them out at their Myspace. The singer has red hair and they have a lot of nice self designed covers: “There are six different covers. They are $5 each plus shipping. You want one.”

The music is something in between the Raveonettes and Broadcast, a little noisy, a little trashy and a little longing with nice melodies hiding between the strange chords. Download their supersong “Lovelies”:

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I love The Pity Party

I wrote this review about them back in March of 2007.

the much anticipated first ever live appearance in New York by The Pity Party. Coming out of LA’s current musical underground, this two person band was hand-picked by The Raveonettes to open their tour.

On
initial glance, this personnel configuration might make one think of The White Stripes. However, that would be a mistake as they sound nothing like them. True, the band’s appearance is slightly “White Stripes-like” –
female Heisenflei on drums and vocals – but she also plays keyboards at the same time. It really is something to see. Maurice-Robert provides the other half of vocals, as well as all the guitar work. I would be inclined to
say their sound is actually somewhat closer to another female drummer /male guitar player duo – The Kills – but even then not really all that much. While The Kills uniquely merge delta blues guitar riffs with Kraftwerk-like
beats – The Pity Party’s sound is really like no other. Perhaps the closest comparison would be Sonic Youth in their more experimental phase.

If you had only one word to describe their sound – it would have to be “angular”. Maurice’s guitar lines block out static patterns that bring to mind a robot march in the song “The War Between Eight and Four,” while
Heisenflei raps out a complimentary pattern on the drum kit as well as playing a bass keyboard part with her left hand. Quite impressive. The two sing the lyrics in unison.

This sometimes sparse, sometimes full and distorted sound progressed throughout. A particular early fave of mine is the song “Dronebots and Peons” (for eons and eons). “Hooray for the future” they sing. The song is
driven by a descending single-note guitar lick. Heise throttles her drumkit (barefoot) in addition to driving a completely dirty and distorted keyboard pattern that sometimes consists of smacking two notes down in near
violent manner. It’s a wild tour-de-force. This is the furthest thing from “tame” music. It is both a visually and sonically appealing show.

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Comment by Dave Cromwell — 13/10/2008 #