How was Melt festival 07?

Deichkind Boot Melt 07Picture by LotteLenyaThis is one of the articles I have been working on far too long. Melt’s been over for more than a week but I just had to let this monster out finally. Read about the best and the worst concerts, see the best videos, find the funniest reviews on the net and find out what Goldie did when his records got transported to London instead of Melt festival.

It’s interesting: Two years ago, I was one of a few people who wrote about the Melt! festival and one a few people who posted their festival pictures on Flickr. YouTube didn’t exist back then. Last year, there were tons of pictures and videos. And this year, there are even many, many blog posts about this amazing festival on an extraordinary site, not to forget the Melt-forum which has an impressive way of self organization – one half of the people bitches about prices, the growing size, quality of the music and the other half defends their favorite festival with enthusiasm. So I watched many many videos on YouTube, scanned Flickr and the blogosphere just to get you the best and most relevant material on this year’s issue of one of the greatest festivals on the planet.

“…ein unerwarteter Schub von rechts und schon liege ich. Alle großen Momente meines Lebens (Fummeln bevor Anatomie in Bio drankam, der erste Jägermeister, Pilzragout auf’m Dorffest) ziehen nochmal vor meinem Auge entlang. Doch dann zieht mich die Hand, deren Anhängsel gerade für mein Fallen verantwortlich war, mit einem Lächeln wieder hoch. I can feel the community!”
Read the whole hilarious review at Wertaufholer [via Andreas]

So how was Melt X, the 10th issue of this tasty in-between indie and electronic music festival on a peninsula surrounded by gigantic machines? Overwhelming and amazing again I must say. I worked most of the time but it would be a lie to say that my job is not a great one. Taking care of the musicians as they come and wander around with their mouths open to see the venue and then get blown away by the audience. Few don’t get excited by that. Unfortunately Kelis was one of them. Let herself drive to the stage (20 meters..) and then sing like a man and move like a crash test dummy. Biggest disappointment.

And I felt a little bad for Snap! who had to play six o’clock in the morning after Deichkind had totally rocked out the energy of the crowd. So when “Rhythm is a dancer” set in, everybody just had to leave. Too bad, really. Opinions to Deichkind differ – some thought it was a little boring, the same show in the third year but thousands of enthusiastic people can’t lie and actually the band put more effort in the costumes and the show than ever. They always start many hours before stagetime and handicraft themselves into madness. I very much enjoyed the show this year again (which might also be connected to the many vodkas I had to drink in a very short time – boss’ order, what can you say).

Deichkind – Bon voyage:

“Melt Festival… OMG! What an amazing location for a rave/dance party, out in the middle of nowhere, amongst a heap of gigantic, massive, old, rusting, industrial, mining, digging, steal processing machines, all lit up with fantastic lighting, excellent sound and lighting everywhere, market stalls, diverse music line-up, lots of food and snacks, and cheap drinks.”
Read about a whole tour involving Melt, Tresor, Maria am Ufer, Berghain/Panorama Bar AND Knut in only three days at decoded_

Ok, but who was the best on the festival? Goose definitely rocked so unbelievably hard that I thought the roof was coming of. Such a perfect mix of rock and electro that blew everybody away. Best sound award goes to Trentemöller. He just put out a gigantic blanket of bass and melody over the crowd and everybody who expected club madness was surprised and delighted to be carried away by such a dubby experience. Polarkreis18 surely lived up to the expectations being one of the most interesting young German bands. I just hope they don’t get tired of all the playing and always delivering such an emotional performance.
Best entertainer: Dendemann. Even for those who don’t like Hiphop he did a good show with lots of head nodding and booty shaking.

Polarkreis18:

Goose – Ultimate Heavy Electro-Rock Alarm:

Trentemöller Dubby Drum club experience:

Two bands I did not see but listened to because I had to work, were Black Rebel Motorcycle Club who had a bright and fat sound but somewhat seemed to be a little fed up and overplayed. And then there were the Shout Out Louds who sounded like The Cure – great! Hot Chip surprised not only me but a lot of people. Disco-popping into the sunset. I personally very much liked Werle & Stankowski with their very unique mix of singer-songrwriter tunes, electro background and bluesy attitude. But there were so many great bands, impossible to mention them all. I subscribe to Tonspion’s view when they say:

“Wenn ihr wissen wollt wie der Jan Delay, der Black Rebel Motorcycle Club, Shitdisco und Tocotronic waren, müsst ihr eure Freunde fragen. Sorry. Man kann nicht alles sehen, denn das Melt hat ein Luxusproblem: zuviel des Guten.”

But the unofficial, secret star of this festival certainly was Jake the Rapper. He played a live set and a DJ set one day later, he was always around, connecting and small talking and without him, I guess I had become target of a severe thunderstorm: Goldie in a bad mood.

The records and CDs of the charismatic entertainer, DJ, manager, writer and most of all godfather of Drum’n’Bass had been accidently transferred to London instead of Berlin (actually that happens quite often I must say). A DJ without music is a sad figure – what were we supposed to do? Thanks to Senuti and Jake’s Mac, Goldie could transfer many files from his iPod to Jake’s computer and burn seven cds. These he used for his three hour set and definitely made the people very, very happy. He was very happy himself, not to say enthusiastic: “You know when things go wrong like this and you have to improvise, that’s the best. Nothing new ever happens if you never have to improvise!” Said it, hugged me so hard I hardly could breathe and then ran off to meet Richie Hawtin (who he hadn’t met before). Climbed right on stage and hugged him as well. Very intense person, very charming and interesting. It was a pleasure to meet him, really.

Goldie and MC Lowqui begin:

and deliver:

Coming slowly to an end, I just want to pay credit to all the people who share their memory on the web, especially those who really made the effort to edit little movies about their Melt experience. There are many many interesting and cute documentaries out there.

While Justice/Simian Mobile Disco’s song “We are your friends” was the unofficial hit of the festival last year, this time it was Soulwax’s edit of the Klaxon’s song “Gravity’s rainbow“. I heard it over ten times in different locations, here, some people are dancing to it on the camping site:

Not everybody was so lucky:

“es kam was kommen mußte: Ich rutsche auf dem Arsch die Böschung hinunter bis ich im Schilf des Sees zum Stehen kam. Was für eine groteske Situation: 500 Meter hinter mir spielte gerade unüberhörbar Dizzie Rascal sein Set auf der Mainstage, während ich auf einmal in der Uferzone des Gremminer Sees eine Fangopackung genoß.” from Reality on the rocks

Here’s a short video about Red Bull’s music academy activities, very interesting and ambitious approach, still:

And I would like to finish the longest blog entry I have ever written with this video that shows Magda on the Big Wheel floor which was pure electro all the time. Out of the Minus crew, I like her best:

Here are some more links: Really good pictures have Tranzland and Sint@Flickr but you’ll find great pictures by other photographers all over. And here’s a list of not to be missed blog entries about Melt 07 aka Melt X.

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